Sashiko and Patchwork Accessories

In Sashiko and Patchwork Accessories you’ll work on sewing projects designed for everyday use: small and medium pieces that can be finished in a short time and let you practise repeated motifs with very striking results. The focus isn’t “decorative for the sake of it”: the idea is that sashiko embroidery and patchwork add design, but also structure and a carefully finished feel.

What’s interesting is that it doesn’t stick to just one approach: you’ll see projects where sashiko takes centre stage on fabric pieces, and others where it’s integrated as a detail on patchwork-style compositions. That gives you room to choose depending on your level, your patience and the kind of accessory you actually fancy using or gifting, without being limited to samples.

If you’re looking for patterns, the book Sashiko and Patchwork Accessories is designed so you can follow complete projects without improvising from scratch. The practical section is set up to guide you through the process: preparing, marking, sewing and stitching, with visual support so the step by step is easy to follow and the result doesn’t depend on “having an eye” from day one.

What’s more, by working with sashiko and patchwork patterns, it’s easier to repeat a project using different fabrics or combinations, because you already have a reliable base. That’s key if you want to make personal variations: you can keep the structure of the project and put your energy into what really changes the final result: colour, thread contrast, and the size or placement of the motif.

Sashiko and Patchwork Accessories is designed to help you progress with confidence, even if you’re not an expert; it’s a step-by-step sashiko techniques book that starts from the basics and applies them directly to real projects. If you already sew or do patchwork, it will feel especially natural, because sashiko becomes a “plus” that elevates the finish without forcing you to change the way you work.

If you come from embroidery and patchwork feels intimidating, it’s also a good fit, because the projects are accessories rather than huge quilts: you can understand the construction in manageable sections. The key is that the book doesn’t rely on shortcuts: it’s for you if you want to improve stitch consistency, visual neatness and overall planning, not just “make something quickly”.

One practical strength of the book is that it doesn’t treat the motif as a standalone drawing, but as part of the project: the tracing and stitching are integrated into the construction so the result stays stable. If accuracy is your concern, you’ll be especially interested in the approach to transferring sashiko motifs, because the order of work (marking, sewing and stitching) has a big impact on keeping lines straight and preventing the fabric from looking “wrinkled”.

What’s more, when you’re working with layers (base fabric, patches, reinforcement), stitching can behave differently than on a single layer. The value of the Sashiko and Patchwork Accessories book is that it guides you step by step to stitch correctly: even stitches, controlled tension and a planned route so the motif reads clearly and the accessory keeps its shape and a neat finish.

Many sashiko books stay at the level of stitch samplers or purely decorative work. The Sashiko and Patchwork Accessories book by sashikonami stands out because it brings that aesthetic into useful objects and combines the logic of patchwork with the clean look of sashiko: it’s not “stitching on top”, but building so everything fits and feels visually coherent.

You can also see the emphasis on harmony: how to combine fabrics and thread so the result doesn’t feel chaotic. If you’re comparing options to buy the book Sashiko and Patchwork Accessories, this one is ideal when you want usable projects (not just samples) and when you’re after a geometric, modern, very orderly style, with ideas you can repeat and vary.

You can personalise them a lot, and that’s one of the reasons it works so well as a working book. Using the same base, you can change fabrics, contrasts and motif scale to achieve a completely different result. If you like the idea of sashiko embroidery over patchwork, you’ve got a framework here that lets you create variations without losing control of the design.

What’s more, because they’re accessories, you can adjust practical details (size, fastening, layout) and keep the motif as the thread running through the piece. That combination — guided project + creative freedom — is ideal if you want to progress without getting stuck designing, but you also don’t want to repeat exactly the same thing. It’s a book that “gives you structure” and lets you play within it.